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Surviving the Dream with FIDLAR

by Grady Olson

Photo by Jordan Cramer

In the heart of East Los Angeles, tucked away in the Balboa Recording Studio and art space, FIDLAR – Zac Carper, Max Kuehn, and Brandon Schwartzel – crafted Surviving the Dream, their first album in over five years. Recorded in 12 days, with just the help of a few buddies. That’s how Zac Carper, Max Kuehn, and Brandon Schwartzel wanted to do it. But also kind of how they had to do it, with no label, no fancy producer, a testament to FIDLAR's DIY ethos. But who gives a shit where you record, the boys are back and they’re the same as they ever were but a lot different. 

Photo by Jordan Cramer

The Dream Evolves

Surviving the Dream is a phrase they coined based on Aussie band and good friends Dune Rats' motto, "Living the Dream." But for FIDLAR, the dream has shifted and evolved into a new meaning; it now teases on that darkness that is a constant underlying positivity, reflecting the realities of getting older and navigating life's ups and downs. As lead singer Zac Carper explains, "They used to be crashing on couches and people would ask how they were and they'd just say, 'living the dream.' So whenever I’d be out during covid and someone would ask me how I was doing, I’d say, 'surviving the dream.'"

Photo by Jordan Cramer

Creative Process in the Midst of Chaos

For Carper, the new album's creation was intertwined with his journey of self-discovery as it’s the first album since the frontman was diagnosed with bipolar disorder. Having a somewhat better understanding of his creative process now, which comes in waves while in a manic state, "It took longer. I was scared to drop in." he admits, describing the waves of manic creativity that fuel his songwriting. "Once I do, there's no stopping that wave. It’s like meth. I’m up for three days. I’ve tried meds and they make me okay but it kind of fucks with everything else. So I’ve just got to find that right cocktail.” 

Photo by Jordan Cramer

It's in the aftermath of these manic episodes that the editing and refining process takes place that shapes FIDLAR's distinctive sound. “I do drafts. I’m a big fan of drafts. It starts out with a ukulele and then there will be like 7 demos to it. So once I create, I just create and create and then crash. Then I’ll listen back, like okay; what sounds good? There's a lot of editing.”

 

"Once I do, there's no stopping that wave. It’s like meth. I’m up for three days."

 

DIY or Die

With no label backing, FIDLAR welcomed back their familiar DIY approach to recording. "No one would give us a bunch of money," Max Kuehn quips. "No one would do it for us, we’re off a label, so why not just self produce it," adds Brandon Schwartzel. This self-reliance allowed the band to maintain creative control and capture the raw energy that defines their live performances. 

Photo by Jordan Cramer

The same goes for the album cover. Wanting to create that paint pen, exacto knife, ‘broke kid let’s just make something aesthetic,’ they just did what they wanted with the font and the smiley face. “We took that and manipulated it to use as a single art piece but then also throughout the lyrical videos. We scanned it and fucked it up, paint penned it, scanned it again.” Brandon

Photo by Jordan Cramer

Aging Gracefully in the Mosh Pit

While the band members may be getting older, their fan base seems to stay young, which is good for the guys  "After the pandemic, we realized everyone is like 15. What the fuck happened?" Carper laughs. “We were all expecting everyone to have kids and pull their Fidlar shirt out of the garage, like an old dude with a beard and a beer. But then there was this youthful sort of energy that really pumped us up.”

Photo by Jordan Cramer

For FIDLAR, energy is the driving force behind their music. "One of the main rules is just energy, energy, energy. How do we bring the most energy to it?" Carper emphasizes. This focus on capturing the live essence of their music allowed them to record the album quickly and efficiently, prioritizing feeling and vibe over technical perfection.

This youthful energy has injected new life into the band, like a punk fine wine, they’re aging gracefully in the mosh pit, inspiring them to continue pushing boundaries and creating music that resonates with the young and restless. 

Photo by Jordan Cramer

The Dream Continues

FIDLAR's longevity can be attributed to their unwavering commitment to craft and DIY spirit. As Schwartzel puts it, "Let’s get it out, go play, and then keep going. Keep playing, keep writing, and then record stuff when it comes." Surviving the Dream is a testament to this enduring passion. FIDLAR is here to stay, ready to ride the waves of music, life, or whatever else for years to come. 

Photo by Jordan Cramer

Photo by Jordan Cramer

 

FIDLAR - 2024 NORTH AMERICAN HEADLINING TOUR DATES

September 23 - Santa Cruz, CA @ The Catalyst

September 24 - Sacramento, CA @ Ace of Spades

September 25 – San Francisco, CA @ The Regency Ballroom

September 27 – Portland, OR @ Roseland Theater

September 28 – Seattle, WA @ Neptune Theatre           

September 30 – Salt Lake City, UT @ The Grand At The Complex

October 1 – Denver, CO @ Summit

October 2 - Fort Collins, CO @ Aggie Theatre

October 4 – Minneapolis, MN @ Varsity Theater

October 5 – Chicago, IL @ Vic Theatre

October 7 – Toronto, ON @ Phoenix Concert Theatre

October 8 – Buffalo, NY @ Electric City

October 9 – Brooklyn, NY @ Brooklyn Steel

October 11 - Philadelphia, PA @ Theatre of Living Arts

October 12 – Boston, MA @ House of Blues

October 14 – Washington, DC @ 9:30 Club

October 15 – Asheville, NC @ The Orange Peel

October 16 – Nashville, TN @ The Basement East

October 18 – Carrboro, NC @ Cat's Cradle

October 19 – Atlanta, GA @ Variety Playhouse

October 21 – Dallas, TX @ Granada Theater

October 22 – Austin, TX @The Mohawk

October 25 – Tucson, AZ @ Hotel Congress Plaza

October 27 - Del Mar, CA @ The Sound At Del Mar                       

October 31 - Los Angeles, CA @ The Bellwether

February 17-25, 2025 - Flogging Molly’s Salty Dog Cruise

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AK the Savior and Sagun on Bridging the Gap

Throughout time, humans have used dissent to bring ourselves closer despite our differences. By understanding and finding out we have more in common than we think, a beautiful thing called culture arises. Culture is the nexus of certain communities that are striving for something bigger than themselves. It isn't something that should be tainted by a selfish need for preservation, but something to be shared with the world. Because of that, for better or for worse, society has evolved thanks to culture.

 

AKTHESAVIOR and Sagun photographed by Rosie Matheson

 

Arts, fashion, and politics deviate from the classification of race and finances because there's an intrinsic yearning for unity. In that regard, it's quite superficial to use one's culture as a guideline for one's personality. That's how arguments about co-opting and a lack of respect for purity are in our day-to-day feeds. This observation becomes more accurate in modern times, where everyone wants to make a statement but isn't saying anything at all. Presently, we can communicate with whoever and whenever, however, we still feel alone.

Despite that, AK the Savior, a New York-born and now Los Angeles-based rapper and Nepal-based lo-fi producer Sagun, pulls you a seat at their table in their recent album titled "U R Not Alone." On this album, the duo navigates through musical genres while rapping about topics involving cultural politics and discovering where you belong, no matter where you're from. Comparable to the opposite ends they came from to create this album, the two also have a mutual understanding and respect for one another that is non-sequitur to music. They are building a model of self-confidence and staying true to what they believe in because culturally, that's what people want to be a part of.

 

AKTHESAVIOR and Sagun photographed by Jordan Smith

1. Do you think someone’s appearance is as important as their actual skill set when it comes to music?

Sagun: Personally, it does not matter, but like you said, it does play a big factor these days. But at the same time, if the music is good, no matter how good you look or dress, people will love you no matter what.

Ak: I agree with Sagun too. I think it's important, but not as important as it once was. It was way more important back in the day to look the part and to be a superstar. But nowadays some people are just super talented; uploading their videos or music where it speaks for itself in a sense.

2. One is from Nepal and one is from New York. How'd you guys meet and how'd this project come about?

AK: Sa, you want to tell him?

Sagun: Yeah, so I always wanted to make this kind of rap album, and I was talking to my manager about it to search for a rapper who could collaborate with me. My manager came up with the idea of having AK on this album and told me to send him beats and just see what happens. I just sent him beats one by one and it started from there through email.

AK: I just finished dropping an album called "Almost Home" and I was still in the zone creating music. I'm hands-on with my shit. After that, COVID hit and nothing was popping, but I love music, so I continued pursuing it through it. I dropped an album even though there weren't going to be any tours and I checked my email to see who's hitting me up. I kept networking, and Sagun's manager hit me up with this proposal about a lo-fi producer that would be a good match for me. He then sent me beat after beat and once I got the beats, I heard them and then instantly wrote the beats. It was an instant connection through Zoom calls and getting to know each other. Sagun then came to America for the first time; we met in person and that's when we started working on shit.

3. Do you think the most radical thing nowadays is just to be normal?

AK: Yeah. I agree with that. In today's world, music matters, but it's more about content. It's king right now. People are focused on ways to go viral. Within the fashion world, to go viral is to have shock value, so people might buy certain things that they may not necessarily like the Mario boots. They'll just wear that shit to go viral, but not like it.

Sagun: I agree. Some people just do anything and everything to go viral. I'm not mad at that though.

AK: Yeah, fuck it.

4. Talking about anime has been sort of taboo for minorities to talk about in recent years. Do you like that this conversation is more on the forefront or does it feel like just another opportunity to exploit another subculture?

AK: I think anime is for the world. Just because someone doesn't bring anime into the forefront of a conversation doesn't mean they're not about anime. I think what people are worried about now is that anime is getting super popular. It's becoming larger and larger and when things get big, more people just jump on the trend to be cool. Anime people are real gatekeepers and if someone's repping something that they know wasn't in it in the first place. Then it becomes "Nigga, you never liked that kind of shit before...". I think you just couldn't tell someone was into anime based on their music and image. You don't have to promote something to like it.

Sagun: Everyone around used to watch it, so I could never think or see people say they don't like anime.

AK: For instance, I always said I loved anime and made references in my music, but I feel like if those same people saw me out in New York with my homies looking like goons; they would think there's no way this guy watches anime. I got many anime tattoos and they're part of my life because they changed my life, so you can't judge someone based on how they look.

5. I know of the recent loss of the creator of Dragon Ball Z, Akira Toriyama. How did you feel about the sudden loss and how did his work influence you as an artist?

Ak: That shit fucked me up. Dragon Ball Z changed my entire life. As I grew up on it, I realized there were a lot of subliminal messages within the show. Some people may just see it as a cartoon, but Ki is a real thing. It's not just energy blasts and shit. Ki is the real energy we all have. Akira took that concept and made it playful, but we all have energy within us.

Sagun: I feel the same when I watch the Vineland Saga. It teaches you how to control yourself, your people, and the environment around you. You guys should check it out. I love that one.

AK: In the anime, there are so many gems that are dropping that apply to real-life men. People sleep on it! I encourage anyone reading this to watch anime because it'll change your life. And if you don't like fighting or energy balls and shit, watch Death Note (laughs). That's a great warm-up.

 

AKTHESAVIOR and Sagun photographed by Brayton Bowers

 

AKTHESAVIOR and Sagun photographed by Rosie Matheson

 

6. I know fashion and music go hand in hand, but it can sometimes be an obviously desperate opportunity for an artist to capitalize on it as a "business venture". What other ventures do you think we need more of from our current and future artists?

AK: For me, I'm one of those artists who are already venturing into different things. I'm into fashion, so that's not farfetched as something I could get into. I have friends in the fashion world too and I see how hard that shit is. It's some shit that's easy to tap into unless you're the type of artist who'll drop anything and people are going to follow it. I don't think I would get into it like that, but I don't want to cap myself either.

IR: You're also an actual artist.

AK: Yeah, so a couple of business ventures that I do include a jewelry company called "Florescent Treasures" and I even wrote my own manga called Nakaomiru, which means look inside. I also do paintings now and then because I'm the type of person who, whatever resonates with me at the moment; I'm going to tap into.

Sagun: I'm getting more into videography and photographing. I like how videos are done and if I'm not into that, I would get into coding. I love coding.

7. How much does your art correlate to your music, and vice versa?

AK: After I linked up with Sagun after recording "You Are Not Alone" almost 2 and a half years ago. I started painting a lot during our time recording it. I wanted to make new shit and thought, "How do I make this shit correlate to my music?" because niggas is not going to just accept a painting, so I had to make it make sense. All the cover art and single art was me painting. I had a project called "Tracing Patterns" where I wanted to connect my paintings with my music. I wanted to make something for what it is and I hope people don't get too judgmental about it.

 

 

 

8. Given your start in the rap group Underachievers and being part of this psychedelic rap that rappers such as the Flatbush Zombies, Asap Rocky, Danny Brown, and yourselves brought to the generation. Do you think drugs were the bigger inspiration or what role did psychedelic drugs play in this exploration for you?

AK: I think psychedelics played a huge role like you said, and people were connected to us through psychedelics. But I feel like I was speaking on more experiences I had when I was younger. The Underachievers were taking psychedelics when we were younger when we created "Indigoism" and things like that, but people got the misconception that we were tripping every single day. We weren't tripping every single day. Four times a year I would trip, but I can only speak for myself. Now I only take psychedelics once or twice a year when I need that spiritual push or boost of inspiration. Psychedelics is something you shouldn't abuse because if you do, that's how you lose yourself.

IR: I mean, that's how people become Deadheads into their 70's.

AK: Yeah(laughs). There's nothing wrong with being a fan and taking psychedelics. But if you let that shit just take over your life, you remove the balance and become lost. I love psychedelics because they changed my life, but you don't need them. I think I never needed it. It's here on earth for us to use and work together, but you don't need that for the spiritual growth that I've gotten. You just need to work to be the best version of yourself by reading books and enhancing your knowledge to bring enlightenment to your life. Drugs don't enlighten your life. That doesn't work and it doesn't fix your problems. It's just you and the journey you choose to go on.

 

AKTHESAVIOR and Sagun photographed by Brayten Bowers

 

AKTHESAVIOR and Sagun photographed by Rosie Matheson

 

9. You come from a multicultural background, which is one of the themes of your upcoming project. You are not alone. Growing up, did you feel out of place as someone who's multicultural and what helped you feel more included?

Sagun: I would never be who I am if I didn't grow up in my environment, so no. I never felt that I was in the wrong place or at the wrong time. That's totally who I am and I've always accepted it.

AK: I feel you 100 percent. I'm thankful to be from the Caribbean Islands and get the influences from the music to the food. It makes us who we are. When I was a kid, I went to school in Harlem from elementary to junior high school, bro. At that time, growing up, Spanish and black people were being. Oh, my god. As a kid, I was like, Why, and kids would try to fight me? It was just so weird because even other black people were fucking with me because they thought I was Spanish.

IR: Given how you look, I was going to say that! Was it a Dominican trying to fight you even though you guys are the same color? (laughs)

AK: BROOOOOO!!! I always questioned it. Why, why, why? Then I went to school from Manhattan to Brooklyn as I got older with more black people and Caribbean culture. In Harlem, niggas used to make fun of me and shit. Saying, "You got big ass lips, bro!". They said mad funny shit that made me feel like I'm not shit. But when I got to Brooklyn, I was the most popular dude in the school. I was just confused during that time, but all that shit happened for a reason and I'm grateful for it.

 

 

10. How do you think racial and cultural issues will change in the future as society continues to blend?

AK: I have high hopes for the future. The issue we have today is that the people who created these ways of thinking and ways of life through racism, etc. are still in power. If they're not directly connected to it, their sons and daughters are now in power. As we grow older and new generations come, there's going to be an understanding that we're all together as a human race. This skin color sh*t is stupid now.

Sagun: Totally.

AK: They've even shown now on certain websites what the future people are going to look like if we blend.

IR: Yeah, everyone's going to look like The Rock.

AK and Sagun: (laughs).

AK: I don't want everyone to look the same. That's boring, but if we all look the same, how are you going to judge me? Like on this album, "You Are Not Alone" ,we want you to feel like we're different from you. We are all humans with similar and different experiences, but the bottom line is that this is life. These are things that we go through and we're just sharing life as you are too.

 

AKTHESAVIOR and Sagun photographed by Rosie Matheson

11. What would you say to someone dealing with these types of issues when trying to find their voice?

AK: Follow your heart and whatever resonates with you. Do what matters and if you feel a certain way, express yourself. Don't bottle it up. When someone says no one understands me, it's like, of course, no one understands you because you didn't express yourself. If no one is truly listening; go out and find the person who's going to listen. You are not alone.

Sagun: If you think you're going to fail, keep trying.

   

       

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Elderbrook Talks Fatherhood and Going Deep on New EP Innerlight

Alexander Kotz, also known under his DJ/producer name Elderbrook, has quite a lot going on right now. He became a father in December of 2020 shortly after releasing his debut album Why Do We Shake In The Cold?, has just released his new EP, Innerlight, and finishing up his North America tour before going on to perform across more than 13 countries across Europe. We were lucky enough to sit down with him before his concert at The Novo Theatre in Los Angeles.

First of all, congratulations on having your first child!

Yeah, at the end of last year I had a little baby girl! I just dropped them off at the airport. They were with me for the first half of the tour.

I also wanted to congratulate you on releasing your new EP, Innerlight! What was the inspiration behind the EP? Has becoming a father influenced your art in any way?

It's hard to say because I had a child during COVID-19 so it's difficult to know what was different about my life because of having a kid and what was different because the whole world was shut down.

As for Innerlight, I think having a little baby girl definitely influenced the lyrics. For example, when I was writing my song “Domino”, I kind of saw it as a way for me to talk to her about these ideas of ‘just take a step back, don't worry about it, everything’s gonna be okay.’ Almost like I was teaching her a life lesson. But at the same time, it’s something that I often have to remind myself about. Having a little baby girl really made me want to talk about that and just gave me a lot of new perspectives and different kinds of things to write about because I'm not just writing about myself anymore. I want to write about my daughter.

Innerlight has some amazing features on it, including Louis The Child, Bob Moses and Emmitt Fenn. How did those come to be?

Well, because everyone was locked down I wasn't doing sessions with anyone so everything was being done online. So because it was online, you know, might as well work with people from America or people from… (laughs) I guess yeah, it was all American people! It just meant that everyone was more up for doing stuff online more so than before. But I mean, Zoom sessions aren't the most vibey so I really missed being in the room but you know, we're back!

What I really love about Innerlight is how you pair these highly emotive and moody melodies and deep lyricism with rhythms that would be impossible to listen to sitting still.  What do you feel is the best way to listen to the album to the EP?

Me personally, I like to listen to music while I'm driving alone. It gives you a chance to bop around a bit and, you know, maybe no one's watching and you can just do whatever you want and it gives you a chance to properly listen as well.

"Just take a step back, don't worry about it, everything’s gonna be okay."

Elderbrook at The Novo in Los Angeles

Why Do We Shake in the Cold was one of my favorite albums to come out last year. It certainly had a more indie feel to it and thematically was rooted in human connection, whereas Innerlight is more electronic/dance and about the self. Was that juxtaposition intentional?

I guess it wasn't intentional, but because obviously, I was by myself (in lockdown) it made me want to explore that and explore what that means for me and what that does to me. And yeah, I guess that's what Innerlight ended up being. “Broken Mirror,” for example, was an extremely personal song to write because I’ve not found it easy to be that honest with my lyrics before. I've been honest but I really felt like I delved quite deep with that one.

"I'm not just writing about myself anymore. I want to write about my daughter."

Haley Killam Photography

What has it been like performing such a personal song to a live audience?

I really, really loved it. And I think every single time I play it live it really just takes me back to where I was when I was writing it and I kind of get that lump in my throat. But then, you know, there's that big release on the drop and it’s been going down really well. And everyone's been really kind to me (laughs).

It really is a great track. And I kind of love how it's the only track on the EP that is just you without a feature. What made you feel like you were at a point in your life where you were ready to write that song?

I actually wrote it with a writer called Cass Lowe. He was one that really forced me to kind of dig deep and write something personal. And personal to me, again, is not something that… I don't love talking about that (laughs). It’s very British of me! But yeah, he kind of pulled it out on me.

I absolutely love your live shows. You’re known for having amazing live performances. As a singer and a DJ, that’s a lot to be juggling on stage. What’s the most challenging part of performing, and what is your favorite part about being back in front of an audience?

I've gone through phases of different things being harder than others,. For example, singing is the thing that comes most naturally to me so I've been okay with that. But at the very beginning, I was very still on stage. I didn't want to do anything, I just wanted to focus on singing. Then eventually I got more comfortable and started doing weird and crazy dance moves.

I think I speak for everyone that’s seen you live that we love the dance moves.

Thank you! And also at the beginning, I found it hard to figure out what exactly I was going to do live because I did all the production myself and there are like 100 different things that I'm doing one by one when I'm layering in the studio. Figuring out how to do that live was difficult but hopefully, it’s all kind of coming together!

Haley Killam Photography

Interview by Haley Killam

You can listen to "Innerlight" here -